Monday 22 March 2010

Looking at works by Van Gogh, Klee and Picasso etc

Spent a few evenings lost in imagery on line by Picasso, Klee and Van Gogh. Who am I to comment except to record thanks to them for filling life with line and colour and shape that left me dazed
However here I go commenting in relation to my course and what helped me

Klee


vocal fabric of the singer



messenger of autumn



Use of colours inspiring and lots of ideas for patchwork and quilting sprang to mind. Naive shapes of birds and fish cheered me up and I have sketched ideas for a layered fabric collage based on the observation of the bird singing at the top of the fir tree in the dark - using hand dyed fabrics in dark purple, green and grey - picking up stitch marks - sharp for fir tree, gentle for bird shape and dense texture for dark
Especially interested in Klee's involvement in Bauhaus movement and wandered off on line looking at images of weaving which I loved









Picasso







simplification of complex shapes helps - love the goat forms and finally started to draw and sketch - used coloured papers and crayons -
recumbent face of woman fascinating and a dove / bird shape which I drew several times

Van Gogh







on familiar well loved territory
tree forms and lines in skies wonderful for textile images
picked up charcoal for 1st time and LOVED it - all sorts of sketches copying images from Van Gogh - freeing and even I thought some of it looked like an ox cart or a figure of sorts !




Followed culture show on Henry Moore and then onto BBC archived material
linkage between landscape and human form fascinates me as does space created in the figures and being able to see landscape between and through the space
want to return to this and do some colour sketches on things I noticed
also began to wonder whether fabric sculpted possible ....





went back to images of rock faces - many books on rock climbing here at the croft - sketches of rock faces helped me think again about marks and texture - would like to create panel that is stiffened in some way / folded/ and embroidered

sketching from other artists helping me try and work out perspective and line
sketching from rocks and tree barks frees me from worrying about realism

love doing both which is a huge surprise as I thought I would have to grit my teeth and do some drawing to enable me to get onto textiles
now I don't feel in such a rush to put charcoal and pencil away and after worrying the sketch book would be empty - it may not be after all

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